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Welcome to City Ballet The Podcast, an exploration of New York City Ballet introduced by Artistic Director Jonathan Stafford, where we'll journey through our history, delve into our new and existing repertory, and reveal insider tidbits.

The Rosin Box with Claire Kretzschmar and Aarón Sanz

The Rosin Box gives you the opportunity to listen in on candid conversations with members of the New York City Ballet. Hosted by NYCB Soloists Claire Kretzschmar and Aarón Sanz, these episodes take you behind-the-scenes, offering you exclusive insight into the lives of the Company’s dancers.

New Combinations with Wendy Whelan

During our performance season, New York City Ballet showcases recent works from some of the most influential choreographers working today. Associate Artistic Director Wendy Whelan hosts the New Combinations episodes, where she talks to the choreographers and other artists behind the unique new works premiering this season at New York City Ballet.

Hear the Dance with Silas Farley

Corps de Ballet Member Silas Farley explores our expansive repertory, from the earliest Balanchine works to more recent classics, giving listeners an insider’s take on the Company’s rich history with Hear the Dance. Taking on a new ballet each episode, Farley is joined by many key players, from original cast members to ballet masters to current NYCB dancers, who share their personal experiences performing and coaching works from our illustrious repertory.

See the Music with Andrew Litton

In See the Music, New York City Ballet’s Music Director Andrew Litton takes us off the stage and into the orchestra pit, giving listeners an in-depth look at the scores from some of our most notable ballets, featuring discussions with both orchestra members and commissioned composers.

Oct 5, 2020

Former NYCB dancer Silas Farley is back to host a special 2-part episode of Hear the Dance devoted to the life and work of late choreographer Ulysses Dove. Beginning with a brief overview of Dove’s career, this part focuses on Red Angels, the first of two works he choreographed on NYCB. Associate Artistic Director Wendy Whelan, Pacific Northwest Ballet Artistic Director Peter Boal, and violinist Mary Rowell, all of whom performed in the ballet’s 1994 premiere, reunite to discuss Dove’s working style in the studio, the challenges presented by Red Angels’ unprecedented choreographic vocabulary, and the audience’s electric reaction on opening night. “It was all about owning your space and owning your voice,” says Whelan, “and that was Ulyssess at that time.” (45:21)

Music:
Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky
Maxwell's Demon (1988-1990) by Richard Einhorn
July (1961) by Michael Torke